![]() ![]() The state of the pipelineĭespite modest gains in representation over the last eight years, women-and especially women of color-are still dramatically underrepresented in corporate America. The rest of this article summarizes the main findings from the Women in the Workplace 2022 report. They’re watching senior women leave for better opportunities, and they’re prepared to do the same. ![]() Young women are even more ambitious and place a higher premium on working in an equitable, supportive, and inclusive workplace. If companies don’t take action, they risk losing not only their current women leaders but also the next generation of women leaders. And finally, it’s increasingly important to women leaders that they work for companies that prioritize flexibility, employee well-being, and diversity, equity, and inclusion (DEI). They’re doing more to support employee well-being and foster inclusion, but this critical work is spreading them thin and going mostly unrewarded. ![]() They’re more likely to experience belittling microaggressions, such as having their judgment questioned or being mistaken for someone more junior. Women leaders are just as ambitious as men, but at many companies, they face headwinds that signal it will be harder to advance. The reasons women leaders are stepping away from their companies are telling. And all of these dynamics are even more pronounced for women of color. Now, companies are struggling to hold onto the relatively few women leaders they have. For years, fewer women have risen through the ranks because of the “broken rung” at the first step up to management. Women are already significantly underrepresented in leadership. That could have serious implications for companies. ![]() Women leaders are switching jobs at the highest rates we’ve ever seen-and at higher rates than men in leadership. This research revealed that we’re amid a “Great Breakup.” Women are demanding more from work, and they’re leaving their companies in unprecedented numbers to get it. From vibrant abstract paintings to intricately detailed sketches of human heads, her creativity and talent is on full display.This article is a collaborative effort by Alexis Krivkovich, Wei Wei Liu, Hilary Nguyen, Ishanaa Rambachan, Nicole Robinson, Monne Williams, and Lareina Yee. She adds, "My intention with this exhibition was to accentuate this very ambition of an artist who fearlessly operates within this vast space and fearlessly embraces monumentality."Ĭzełkowska's artistic brilliance shines brightly throughout the exhibition, not only in the scale of her work but also in her remarkable artistic diversity. There persists a challenge in envisioning that women artists possess the ambition and capability to create grandiose works," explains Taszycka "I find that the work of women artists is often unfairly disconnected from the realm of monumental scale. Taszycka eloquently underscores the significance of scale while curating the exhibition. The installation features 18 abstract, hollow sculptures resembling busts, arranged on a large table. The magnitude of Czełkowska's artistic prowess is further exemplified in the exhibition by her work 'Stół' (Polish for 'Table'). And each panel weighs more than 200 kilograms. So the piece is technically very complicated to produce."Ī photograph of Czełkowska's 'Stół' installation. She adds, "It's so monumental, so difficult, so heavy. She imagined this piece in 1972 when she came back from her exhibition in Scotland and she produced at that time a reduced model of it," explains Taszycka. The title is taken from notes by Czełkowska and reflects her stance of art as demanding.Īs I step foot inside the enchanting museum, Taszycka elaborates on the exhibition's focal points, which revolve around three pivotal themes deeply ingrained in the artist's creative practice: 'The Body,' 'The Mind,' and 'The Space.'įorming the centrepiece of the exhibition is one of Czełkowska's most monumental installations, 'Absolute Elimination of Sculpture as a Notion of Shape', which has been faithfully reconstructed for the show.Ĭomprised of 66 large flat concrete, prefab plates in two varying shades, it covers the floor and walls of Muzeum Susch’s largest gallery space. The exhibition, titled 'Wanda Czełkowska: Art is not Rest,' presents a curated collection of her most significant and previously unseen artworks, spanning various mediums such as sculpture, photography, drawing, and painting. Photo shows artworks by Wanda Czełkowska on display at Muzeum Susch. ![]()
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